Next Concerts

6pm, Sunday 17th Sept
Long Gallery, Lauderdale House, Highgate Hill N6 5GH
tickets £12, £8 students/under 18s available from Lauderdale House
'Gilded cages', or, 'Handel's Birds'
Elin Harries - soprano
Diane Moore - baroque violin
Thomas Pickering - recorders
Jacob Garside - baroque cello
Matthew Brown – harpsichord
Linnet Baroque present an exploration of music written for Handel's divas and their infamous rivalry.
Based on Cibber’s description of the Italian singers as ‘costly canary birds’ and music in the ‘bird-song’ genre, the voice and obbligati instruments are treated as equal partners.

2pm Sunday 3rd December 2023
Long Gallery, Forty Hall
Enfield EN2 9HA
ticket details available nearer the time
Ad Gaudia!
Elin Harries - soprano
Andrew Collis - recorders
Thomas Pickering - recorders
Ibrahim Aziz - bass viol
Asako Ogawa - harpsichord
Featuring cantatas by three female composers - Antonia Bembo (1640-1720) and Maria X.Peruchona (1652-1709) and Jane Savage (1752-1824), Christmas arias by Václav Rovensky (1644-1718) & JS Bach (1685-1750) and instrumental music, including a contemporary piece, 'Winter' for gamba by Carlos Martínez Gi (1957-)
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Date March tbc
Forty Hall
Enfield EN2 9HA
The Robin & other English Birds
Elin Harries - soprano
Diane Moore - baroque violin
+ extra violin tbc
Jacob Garside - cello
David Wright - harpsichord
based on Handel’s circle of musicians in London in the mid-18th C.
Music by Handel, Stanley, Hook, Barthelemon, Arne, Jackson and
“the ingenious Miss Eliza Turner”
past concerts

12pm, Sunday 18th June
Lauderdale House (Long Gallery)
Highgate Hill N6 5GH
ticket £12, £8 conc for under 18s, students & low wage
Summer Landscapes
Elin Harries - soprano
Andrew Collis - recorders
Ibrahim Aziz - bass viol
Asako Ogawa- harpsichord
Join Linnet Baroque for a pre-lunch concert on a Summer Sunday. The hour long programme of delightful Baroque and early Classical music, alongside a 20C gem, features pastoral English scenes and invokes the naïve passions of a foregone era.
Music from the Pleasure Gardens, 18th C theatre and works written for domestic music-making are included, with compositions by Handel, Vivaldi, D Scarlatti, Shield, Dubourg, Abel, Pixell & Gioradani.
Rubbra’s Cantata Pastorale, written for Baroque ensemble and premiered at the Wigmore Hall in 1957, provides the perfect stylistic contrast, with its Indian tonal influence and dramatic rhythms.




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